StoryAct Agency
A closer look at one of my projects together with StoryAct Agency, a local event organizer specializing in galas, fundraisers and exhibitions.
animation
animation
animation
animation
animation
sketches
An open-ended brief is both a blessing and a curse. It leaves a lot of opportunity to experiment and be creative, but with that comes a larger risk of completely missing the mark.
Before the pitch for this project, I conducted research on the company, the events they organize and looked at their current logo to get some guidance for the visuals.
So while the explicit requirements for this animation were vague and open-ended, the guidance from this research allowed me to get a deeper understanding of the client’s needs.
sketches
An open-ended brief is both a blessing and a curse. It leaves a lot of opportunity to experiment and be creative, but with that comes a larger risk of completely missing the mark.
Before the pitch for this project, I conducted research on the company, the events they organize and looked at their current logo to get some guidance for the visuals.
So while the explicit requirements for this animation were vague and open-ended, the guidance from this research allowed me to get a deeper understanding of the client’s needs.
sketches
An open-ended brief is both a blessing and a curse. It leaves a lot of opportunity to experiment and be creative, but with that comes a larger risk of completely missing the mark.
Before the pitch for this project, I conducted research on the company, the events they organize and looked at their current logo to get some guidance for the visuals.
So while the explicit requirements for this animation were vague and open-ended, the guidance from this research allowed me to get a deeper understanding of the client’s needs.
sketches
An open-ended brief is both a blessing and a curse. It leaves a lot of opportunity to experiment and be creative, but with that comes a larger risk of completely missing the mark.
Before the pitch for this project, I conducted research on the company, the events they organize and looked at their current logo to get some guidance for the visuals.
So while the explicit requirements for this animation were vague and open-ended, the guidance from this research allowed me to get a deeper understanding of the client’s needs.
sketches
An open-ended brief is both a blessing and a curse. It leaves a lot of opportunity to experiment and be creative, but with that comes a larger risk of completely missing the mark.
Before the pitch for this project, I conducted research on the company, the events they organize and looked at their current logo to get some guidance for the visuals.
So while the explicit requirements for this animation were vague and open-ended, the guidance from this research allowed me to get a deeper understanding of the client’s needs.
reference
reference
reference
reference
reference
sketch
sketch
sketch
sketch
sketch
sketch
sketch
sketch
sketch
sketch
style frames
The company organizes galas, events and fundraisers and along with the company’s established branding I took inspiration from their events to make the gold in the animation really pop.
With the gold being shiny, this required paying extra attention to the reflections to give the impression of the logo being on a stage presenting at one of their galas.
Along with the champagne-esque bubbles as an accent, these style frames represents both the agency’s branding and activities. The client agreed, and thus the next step was bringing it all into motion.
style frames
The company organizes galas, events and fundraisers and along with the company’s established branding I took inspiration from their events to make the gold in the animation really pop.
With the gold being shiny, this required paying extra attention to the reflections to give the impression of the logo being on a stage presenting at one of their galas.
Along with the champagne-esque bubbles as an accent, these style frames represents both the agency’s branding and activities. The client agreed, and thus the next step was bringing it all into motion.
style frames
The company organizes galas, events and fundraisers and along with the company’s established branding I took inspiration from their events to make the gold in the animation really pop.
With the gold being shiny, this required paying extra attention to the reflections to give the impression of the logo being on a stage presenting at one of their galas.
Along with the champagne-esque bubbles as an accent, these style frames represents both the agency’s branding and activities. The client agreed, and thus the next step was bringing it all into motion.
style frames
The company organizes galas, events and fundraisers and along with the company’s established branding I took inspiration from their events to make the gold in the animation really pop.
With the gold being shiny, this required paying extra attention to the reflections to give the impression of the logo being on a stage presenting at one of their galas.
Along with the champagne-esque bubbles as an accent, these style frames represents both the agency’s branding and activities. The client agreed, and thus the next step was bringing it all into motion.
style frames
The company organizes galas, events and fundraisers and along with the company’s established branding I took inspiration from their events to make the gold in the animation really pop.
With the gold being shiny, this required paying extra attention to the reflections to give the impression of the logo being on a stage presenting at one of their galas.
Along with the champagne-esque bubbles as an accent, these style frames represents both the agency’s branding and activities. The client agreed, and thus the next step was bringing it all into motion.
style frame
style frame
style frame
style frame
style frame
style frame
style frame
style frame
style frame
style frame
style frame
style frame
style frame
style frame
style frame
animation
The animation for the logo itself is relatively simple, with smooth and graceful motions. Along with the movement of the text and logo, the environment was also animated to get the reflections in the gold to look dynamic.
The more complex animations come in the form of the simulated fluid particles, visible both in focus and in the background. To get these particles to look like champagne bubbles, I paid particular attention to how they swirl.
The result is motion that looks organic, complex and deliberate.
animation
The animation for the logo itself is relatively simple, with smooth and graceful motions. Along with the movement of the text and logo, the environment was also animated to get the reflections in the gold to look dynamic.
The more complex animations come in the form of the simulated fluid particles, visible both in focus and in the background. To get these particles to look like champagne bubbles, I paid particular attention to how they swirl.
The result is motion that looks organic, complex and deliberate.
animation
The animation for the logo itself is relatively simple, with smooth and graceful motions. Along with the movement of the text and logo, the environment was also animated to get the reflections in the gold to look dynamic.
The more complex animations come in the form of the simulated fluid particles, visible both in focus and in the background. To get these particles to look like champagne bubbles, I paid particular attention to how they swirl.
The result is motion that looks organic, complex and deliberate.
animation
The animation for the logo itself is relatively simple, with smooth and graceful motions. Along with the movement of the text and logo, the environment was also animated to get the reflections in the gold to look dynamic.
The more complex animations come in the form of the simulated fluid particles, visible both in focus and in the background. To get these particles to look like champagne bubbles, I paid particular attention to how they swirl.
The result is motion that looks organic, complex and deliberate.
animation
The animation for the logo itself is relatively simple, with smooth and graceful motions. Along with the movement of the text and logo, the environment was also animated to get the reflections in the gold to look dynamic.
The more complex animations come in the form of the simulated fluid particles, visible both in focus and in the background. To get these particles to look like champagne bubbles, I paid particular attention to how they swirl.
The result is motion that looks organic, complex and deliberate.
particle simulation
particle simulation
particle simulation
particle simulation
particle simulation
particle simulation
particle simulation
particle simulation
particle simulation
particle simulation
storyboard
storyboard
storyboard
storyboard
storyboard
final result
StoryAct Agency went on to use this in their presentation and pitches and shortly after expanded their operations to markets outside the local one. While I can’t take credit for this expansion, I’d like to think having this animation as a professional introduction to their services made a difference.
This project gave me a deeper understanding of fluid simulations and taught me how to properly adjust the countless parameters to get the right result, bending the simulation to fit the vision.
final result
StoryAct Agency went on to use this in their presentation and pitches and shortly after expanded their operations to markets outside the local one. While I can’t take credit for this expansion, I’d like to think having this animation as a professional introduction to their services made a difference.
This project gave me a deeper understanding of fluid simulations and taught me how to properly adjust the countless parameters to get the right result, bending the simulation to fit the vision.
final result
StoryAct Agency went on to use this in their presentation and pitches and shortly after expanded their operations to markets outside the local one. While I can’t take credit for this expansion, I’d like to think having this animation as a professional introduction to their services made a difference.
This project gave me a deeper understanding of fluid simulations and taught me how to properly adjust the countless parameters to get the right result, bending the simulation to fit the vision.
final result
StoryAct Agency went on to use this in their presentation and pitches and shortly after expanded their operations to markets outside the local one. While I can’t take credit for this expansion, I’d like to think having this animation as a professional introduction to their services made a difference.
This project gave me a deeper understanding of fluid simulations and taught me how to properly adjust the countless parameters to get the right result, bending the simulation to fit the vision.
final result
StoryAct Agency went on to use this in their presentation and pitches and shortly after expanded their operations to markets outside the local one. While I can’t take credit for this expansion, I’d like to think having this animation as a professional introduction to their services made a difference.
This project gave me a deeper understanding of fluid simulations and taught me how to properly adjust the countless parameters to get the right result, bending the simulation to fit the vision.
animation 2
animation 2
animation 2
animation 2
animation 2
want to know even more?
want to know even more?
want to know even more?
shoot me a message!
shoot me a message!
shoot me a message!
contact
Available for work!
Reach out at work@emilremmelgas.com if you want to learn more about using animation for your organization, see more of the work I’ve done or if you just want to get to know me better.
contact
Available for work!
Reach out at work@emilremmelgas.com if you want to learn more about using animation for your organization, see more of the work I’ve done or if you just want to get to know me better.
contact
Available for work!
Reach out at work@emilremmelgas.com if you want to learn more about using animation for your organization, see more of the work I’ve done or if you just want to get to know me better.
contact
Available for work!
Reach out at work@emilremmelgas.com if you want to learn more about using animation for your organization, see more of the work I’ve done or if you just want to get to know me better.
contact
Available for work!
Reach out at work@emilremmelgas.com if you want to learn more about using animation for your organization, see more of the work I’ve done or if you just want to get to know me better.
designed by emil remmelgas
designed by emil remmelgas
designed by emil remmelgas
designed by emil remmelgas
designed by emil remmelgas